Jan. 4, 2026
Episode 666- Streaming VS Broadcast TV- What's Best for Star Trek?
In this conversation, Uncle Jim and the cohosts discuss the evolution of Star Trek from its broadcast origins to its current streaming model. They explore the differences in production, storytelling, and audience engagement between the two formats. The conversation delves into the impact of technology, the importance of character development, and the challenges of maintaining viewer interest in a rapidly changing media landscape. The hosts also touch on the role of AI in content creation and the economics of streaming services, concluding with thoughts on the future of Star Trek and television as a whole. Let's See What's Out There...ENGAGE!
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And the nails Kane and again has gone insane, Logan said, Corporal,
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He's to Jim and Donnie to fixed Ripley NBC. Ted
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Eavily cannot see Bumblebee Kane. I'm the doctor Rankling online
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Old Bob sand Worm stories that will twist and turn
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bout our Simitar death of Tashi Yah Flash Gordon, but
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Rogers don't through prison clone Wars, James Holden Tweety, John
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Coney against Yankee.
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We talk about the series. You can join us out
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to pick it up, your phone down. We talk about
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the series. We're coming to you all your dream services.
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Now we talk about the series coming going on. So
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now we talk about the series coming join.
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Us week Truk is Around the Globe a special truck
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talking episode. It is currently Saturday afternoon street the Eastern
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Standard Time, and I'm here with my.
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Good friend David. He's on Miracle. What are you doing today, David?
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I'm tired. I spent a lot of time with family
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and I'm kind of glad to be home. But you know,
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it's been fun.
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It's it's been a long It's we had Christmas, we
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had Thanksgiving, we had New Year's Jay wedding. We had
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a lot of stuff primmed in the last couple of
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weeks here, But Thursday we'll be back to normal. We'll
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be back to our Truk talking Thursday, and we're going
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to be talking about Lower Decks comic Corner issue eight
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and nine. I believe it is.
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I think sure, yes, yeah.
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Issue eight nine of Star Trek Lower Decks id W
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comic book series. But I also have with us. I
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have my good friend Jay Dog and Ellen, and they're
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out in Schenectady, New York. How are you guys doing today?
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We're alive.
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So today I thought what we would be talking about
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a little bit was a Jay Dog and I were
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having this little conversation I think it was yesterday or
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the day before about Star Trek and the difference is
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between streaming and broadcast television. And you know, you can't
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produce things the same way for streaming as you do
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for broadcasts. There are different monsters, you know, they they
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require different things, and they're produced with different things, you know,
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different gameals basically, So that's what I wanted to talk about.
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So back in the in the early days when cos
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was was created, all they had was network television so
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we had CBS, NBC eight and public broadcasting. So Star
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Trek was created with four separate scenes, four separate acts,
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and in between each act they pile in the commercials
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and the shows were roughly forty five to you know,
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maybe fifty minutes and the rest was commercials. And that's
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how they made all their money. And that worked fine,
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you know, back in the sixties, that was great. And
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then TG comes along in the eighties and they're no
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longer on broadcast, but now they're doing what they call syndication.
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And that's where networks would bid on the right to
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be able to show them the next generation and they
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would pay paramoon x amount of dollars to show the series,
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and then the network, the stations themselves would go out
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and sell the commercials to the promoters in order to
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pay back what they paid to get the show. And
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that is how Star Trek was done through TNG and
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ds N and Voyager and Enterprise Hope and I forgot
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start for the animated series. Let's not forget that Saturday
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Morning cartoon. And that's how Star Trek thrive on advertisers
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paying money to put their commercials on, doing sketchlets to
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start trek fans like ust would see them. Well, when
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streaming came along, that whole idea went right out the window.
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And that's no longer the way things work now. The
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way they work is when they stream a show, they
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get what they call minutes they get They get paid
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per minute, and so the longer that you watch the show,
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the more money that they make. It's no longer based
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on advertising in the Nielsen ratings, it's how many minutes
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that particular show was tuned in. So that's how they
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do things now versus how they did things before. And
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a lot of people are still confused about that because
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I'll hear idiots on the Facebook board saying all the
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time about all the ratings and Nielsen ratings. It's not
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the way things work anymore. It's different. So, you know,
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Paramount Plus or whatever the streaming network is, they want
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you to subscribe, They want your subscription money. Once they
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have your subscription money, they want your eyes on the
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screen and they monitor how many minutes each show is watched,
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and that's how they determine the popularity of the show.
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So that's where we are now. And I wanted to
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dive write in and talk about what you guys think
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about the way it starts right, was produced like in
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the eighties versus how it's done today.
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So what do you think, David, Oh, yeah, it's definitely changed.
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I think a lot of the things you have to
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do with technology and where they have been pumping out
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all the types of stuff. I mean, I remember the
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days when we never even had show phones, and now
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everybody seems to have one, and it's just the idea
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that technology coming into play. We have to figure out
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new ways to entertain ourselves in a way. But at
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the same time, it's like, I'm not really sure if
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this is the right way to go. I would like
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it to go back from the eighties how they did it.
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I would like for it to you know, view off
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of what the Master is doing. It would be kind
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of interesting to see how they make a new Star
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Trek show based off of like like we've always talked
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before on the show. You know, it's not focused on
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the Federation, but more like focus on a different alien
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race or something and just kind of like go through
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and expand Star Trek to the point where it's like
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it's exploring new avenues and all this stuff. And so
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if they could come up with like some form of
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way to film differently like they used to do back
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in the day. Then I don't know how possible that
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is to achieve, but I think technology is probably to
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culporate with this whole thing in the way that they
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are presenting the new way of doing things and streaming. Yeah,
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it's fun. It's fun to not being able to like
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go out into the snow and go to the video store,
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although I missed those two. But the idea is, you know,
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being at home being able to have it stream to you.
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Is it's technology? So to me, I think I think
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that's just what it boils down to. I can't really
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think of any other words for it, but yeah, I
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think that's how I would put it.
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Anyway else. Yeah, so yeah, that's that's. How about you
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and Jay Dog? What do you and how I think
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about the whole stream versus podcast suit?
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Ellen is fighting to get ryfus.
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Who does paramount know, like how many people that are
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subscribing are of a certain age group, population? Gender? You know,
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how do they know what audience they're appealing to doing
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it this way?
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If this is.
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Under a name that you're not sure what age group
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would gender you know, I don't get how they know
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where their audience or their.
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Audiences well, I don't. I don't think that they specifically
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Like if I'm watching Star Trek at home here and
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Karen and Jamie are watching it with me, I don't
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think they specifically know. Oh, well, see Karen's fifty nine
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and she's watching it, Jim's fifty nine and he's watching it,
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and their daughter James thirty two and she's watching it too.
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I think all they care about is they got my subscription,
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so they got my Life of the ninety nine, so
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they got their money, and that it's streaming in my
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in my house for forty eight minutes, and that's that's
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the number they're looking at. How many minutes was my
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account watching Star Trek versus watching you know, other shows
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that they have, and that's how they determine, you know,
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the popularity of a show is how many minutes it's watched,
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which which brings me to my next question, which Jerry
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and I talked about briefly, is that you know, back
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in the day when Star Trek came out, they would
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have the premiere movie, the pilot movie like Encounter a
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Far Point or the Emissary or Broken Bow, and generally
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this would be like a two hour premiere movie. And
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with streaming, they're not doing that anymore. You're gonna see
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strange new work on that strange New world stuffleet Academy
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on Thursday night, and rather than giving us a two
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hour premiere, they're going to drop episode one and then
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follow that up with episode two. And so you know,
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you can watch episode one and turn it off and
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come back and watch it later whatever, But it's not
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going to be one continuous two hour movie like most
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other pilots are. And that's that I think is a
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big mistake when it comes to streaming, because they want
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your eyes glued to the TV for the for those
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full minutes, and they're just not writing Star Trek to
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be like that, you know, would you guys are great.
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Yes, they're not looking to appeal to a certain audience
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this way. They're hoping that you just jump on board
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and watch the minutes, as you're saying, but that doesn't
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give them a clue about what kind of writing will
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appeal to people.
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And well, ever since the very beginning of Star Trek
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Star Trek, the original series, two pilots right Ron Berry
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didn't have what he wanted from the very beginning, right,
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things changed with the cage the Menagerie, right, whether it
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was the characters having to tweak it, etc. And paramount
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saying about with Jeffrey Hunter, we think we needed more,
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et cetera. So all of them have had on Well,
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it was not network television because it was after the
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original series and the animated episodes. It was all the
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S word syndicated, right, next Gen, DS nine, Voyager, Enterprise,
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it was all syndicated or upn you know. But they
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all had a pilot, right, which I mean I loved
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the pilot from all of them, you know at Enterprise too.
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I mean you finally got to see stuff, so that
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was great. The thing is that by you know, when
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they started out in the sixties, they it was fifty
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minutes or whatever, right, I think it was by the eighties,
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not just Starter but television itself, that shows got to
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be like forty five minutes late mid to late eighties,
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forty three to forty five minutes. And Ellen and I
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were talking, she loves the General Hospital TV soap, right,
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believe it or not, we counted actual program time of
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the soap opera it's not even forty five minutes. The
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things like what the thirty minutes thirty eight minutes range
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they fit. They pump it in and pump it and
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stoop it and put as many commercials as they can
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into the thing. So the thing is that, yeah, there
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is an opportunity for streaming to do something. So is
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it then why don't we take some of the benefits
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from when it was on, send it in syndication broadcast
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and throw that in when it applies with streaming. I mean,
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can't we learn the lessons from that and throw it
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into streaming so that you give a good introduction to
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the thing. And as a matter of fact, I was
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reading with Enterprise for the pilot people Doug Drexler. It
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was say, wow, when we worked in it, it was
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like almost like a movie because we had over two
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hundred things of special effects. Over two hundred. It's like,
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holy crap. I mean it's like, right, you don't expect that,
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like with your Run of the Militia and it's like
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science fiction Star Trek. You have to do stuff from scratch.
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So it's like they need to know this, right, they
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need to know let's make the best of all these
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worlds then, but how much.
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Of a story can you tell over ten episodes for
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a season? How much care to development can you do
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with just ten episodes for each season? It really cuts down.
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I'm reaching an audi and so I'm grabbing people to
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be attracted to the concepts of what they're doing.
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Well, I think that you know, back in the eighties
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and the nineties, we got twenty six episodes, so we
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got we got a lot of wasted episodes like Spock's
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Brain and Subrosa with Beverly falling in love with a
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candle and you know, all this crazy stuff. So I
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think there was a lot of excess there with the
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twenty six episodes. But I think that fans also don't
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get the opportunity to identify with these characters as much
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with only ten episodes. That being said, I think shows
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like True Blood, for instance, and Game of Throne have
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proven that a streaming series can be extra extremely successful
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and popular if it's done the right way. And one
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of the things that True Blood always did, if you
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guys ever watched True Blood, every episode ended on a cliphanger,
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so like, you know, the main character would like fall
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off a bridge that to be the end of the
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episode and then you got to watch next week and
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to find out what happened, and every episode would end
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that way is to make you come back and watch
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the next one. And with Game of Thrones, those episodes.
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2
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81
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82
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85
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86
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87
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90
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91
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101
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102
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105
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108
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128
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129
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133
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134
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135
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136
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137
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138
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139
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140
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141
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144
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146
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147
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148
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149
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151
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161
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162
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190
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191
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199
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201
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